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Saturday, June 5th, 2010 02:17 pm


This is Tegan & Sara, immensely talented twins from the great land of Canadia, I mean Canada. They've been making music since they were fifteen and they've been touring almost as long.

You can read a detailed History of Tegan & Sara over on Wikipedia, so I won't replicate that here. I found them because I heard one of their songs played on a tv show, but for the life of me I can't recall which one. Obviously their music was superior to the show using it.

I promptly looked them up and was thrilled to find a female-lead band (two queer females even!) that made songs that were both musically and lyrically satisfying to me. All too often I find the best female bands/singers have songs that, while amazingly well done, are also fucking suicide-inducing. And I understand why that is. Women, even now, have a lot of shit poured on them. It's only natural to write about that, work through it, protest against it via art. I applaud that even. But as someone who honestly can't handle my own shitty life, I am unable to take on the additional burden of other women's pain. So with Tegan & Sara I was pleased to find songs that resonated strongly on an emotional level but that did not overwhelm me with pain and despair.

Looking through their discography I realize that I basically really love every other album they do and am just kind of meh about the others. Not sure why, just one of those things. Still, with six studio albums to their names, there is plenty to enjoy even for weirdos like me. FYI: my faves are This Business of Art (2000), So Jealous (2004), and Sainthood (2009).

And here's a sampling of songs off those records (though I love the full albums so):
on Grooveshark
or embedded here )

So go buy their music!
at Amazon
on iTunes


Vital Links:
Official Site
MySpace
Facebook
Twitter
Youtube
Vimeo
Merch
Saturday, June 5th, 2010 12:37 pm
Welcome to the Canadiana free-for-all. Both [personal profile] calystarose and I will be posting 3 times this week. We never could do things in moderation.

Let's get started.




This is J Englishman, a wonderful artist from Toronto. His album, Poor Li'l Rock Star has pretty much been my soundtrack for the last ten years. I'm going to take the lazy way out and plagiarize myself for a minute. I reviewed the album last year at my music blog (which I have, sadly, neglected the last six months or so. I need to get back to it). I don't see the need to do a completely different intro, especially when there isn't much information to be had.

So, the following is cribbed from my review of the album:

J Englishman is a Canadian artist who released a really stellar album in 2000. It was probably the first album I bought after hearing only one single, and it was way before I started downloading and doing the "try before you buy" type of thing, which goes to show how sure I was of the purchase. This was his only release, unfortunately. When last I heard, he was tending bar at The Tap in Toronto, though his Wiki article says that over the years, he's been working as a freelance music writer for Chart magazine, Production Manager for a John Legend tour, Festival Programmer and Production Manager for "Rock the Wake" festival, and is currently working as an audio engineer. He also has album producer credits (two of them) for the band G-13. He's also done sound engineering at a lounge in Toronto.

This is a lot of info for someone so obscure, so I'm guessing that someone connected to him or his sister (Canadian singer Esthero*) has edited the article. I don't know if that makes it more or less trustworthy, but I'm just happy to know that the man might still be somewhere in the music industry, just waiting for a chance to put out more music.

I'm pretty attached to this album, and I'm always up for trying to tempt someone else into listening to J's stuff. The problem is... it's really hard to find. It's not available at iTunes, and J's website is woefully out of date. The last listed tour dates were in 2004. There are some free MP3s available in the Sounds section, though. Download Breaking Down, Flowers For Ophelia (my favourite!), and Tripwires. To hear the album in its entirety, click the cut below. I cannot tell you how shocked I am that Grooveshark has the files streaming. I've included a playlist.

Click to listen! )

Four songs hit the Top 40 and one went as far as the Top 10 (Abused, Staring at the Sun, The One Thing, and More). I've been able to find a couple of videos on YouTube that use his music, but only one actual music video. It's below. Kind of silly that it was banned by Much Music.





He has a MySpace, which indicates that he (or someone else) logged into the account in March 2010, but the last blog post is dated 2009. I've friended it anyway just in case.

If this ends up being his only album it'll be a damn shame, but at least he put out a good one.




*Fun Fact, J's sister helped to co-write Love Lockdown with Kanye West


Links:
- LastFM
Saturday, May 22nd, 2010 04:58 pm
These two dorks are Mark Hoppus and Pete Wentz and they're fucking awesome.



So these two guys are the bassists in their bands (Blink-182 & Fall Out Boy respectively), amongst other things. And they decided to make some pretty music together for the Almost Alice not!soundtrack.

Listen to "In Transit" on Grooveshark.
Or here )


Looking at the lyrics I'm going to guess these were mostly written by Pete. Which is awesome, because I love the way he has with words. And these words are a great example of that. You can feel the pain and longing in the words.

Lyrics )

And match that up with the hauntingly beautiful music and the way Mark sings the song? Absolute perfection. It has just the proper feel for a song about Alice, but at the same time able to stand independent of that. Which I think is important.

I admit that I didn't out and out love it at the very first listen. But, on the second listen, once I sat still and really paid attention it just grabbed me by the gut. Gave me that awful/wonderful feeling of need/want and loneliness. It has this feeling of contraction/expansion, pulling in close and then flying outward across the distance. And for all that the loneliness and want permeate the song, there's something to it that doesn't feel like all hope is lost.


Mark and Pete have mentioned that they may be doing other things with each other musically in the future. I sincerely hope they do, because they really seem to mesh well.

Links:
Mark: blog, twitter
Pete: blog, twitter
AmazonMP3: In Transit
iTunes: In Transit (as is often the case, iTunes is more costly than Amazon)

PS: If you feel inclined to look at the rest of the Almost Alice not!soundtrack, I can very enthusiastically recommend Welcome to Mystery by The Plain White T's and The Lobster Quadrille by Franz Ferdinand
Saturday, May 15th, 2010 03:30 pm


So, last week I mentioned that on occasion, iTunes Canada actually does give us a fucking awesome song for free. This is one of those times.

Sam Sparro is an Australian singer-songwriter born in 1982. He's best known for this song - Black & Gold. His self-titled album came out in June 2008. Of the 13 songs, Black & Gold (Marcussen Album Version) is the strongest (and, unfortunately, the only song worth keeping, IMHO). His work ranges from R&B to funk to electronica, to classic Prince to Scissor Sisters, to everything in between. If that sounds like it's your cup of tea, then he's definitely an act worth checking out.

Back to Black & Gold, though. This song has proven to be extremely popular, which was a huge surprise to me because I haven't heard it anywhere. Apparently it's been used in soundtracks, commercials, tv promos, and video games. You'd think I'd at least have heard about that, but apparently not. It's entirely possible that I live under a rock.

There's been a few cover versions of this song (most notably Adele, Ellie Goulding, Alphabeat, and Katy Perry) but like usual, the original is always best. There's something to be said for Sam Sparro's voice and the way he sings the lyrics. Also, a bad cover version of any song is a sin that should banish you to the depths of hell.*

*Okay, okay, we'll reserve that solely for butchers ofHallelujah. DNW anyone other than Jeff Buckley, kthnx.

Here, have a streaming file from Grooveshark:



The song has a video, but Sam's record label, Island Records (UK), has had embedding disabled at YouTube. It's so camp and I laughed, but everyone needs a little camp in their day now and then. Click here to see it. It's boys in tuxedos and top hats. Carrying walking sticks and feeling up a limo. No, I'm not just saying that. There's also a fast food drink cup but that might be for a rousing game of One of these things is not like the other....

Links:
- Facebook
- MySpace
- Twitter
Sunday, May 2nd, 2010 04:39 pm
Stylo by Gorillaz cover art


There's a really nice groove to this song that just pulls you in and transports you to this other reality. Somewhere chill and yet alien. The lyrics are a good mix of repetition and narrative. The different voices singing really adds some dimensionality to the song. And the music is this interesting mixture of retro and futuristic. Really well done.

The only radio-type thing I listen to is Music Choice. The Alternative Channel starting playing the hell out of Stylo and I was quickly hooked. The comic characters in the artwork confused me at first, since I had never heard of the band prior to this. But I looked them up, and it's actually kind of interesting:


Gorillaz (which originally was to be called Gorilla) is a British virtual band formed in 1998 by a collaboration between Damon Albarn of Britpop band Blur and Jamie Hewlett, co-creator of the comic book Tank Girl. They had the idea to create the band while watching MTV in their London flat.

The band is comprised of four fictional band members: 2-D (vocals, keyboard), Murdoc Niccals (bass), Noodle (guitar, vocals) and Russel Hobbs (drums). These characters only appear in animated form and are not alter-egos of real people, as is often mistakenly assumed.

There is an extensive fictional back-story behind these band members, written by Albarn and Hewlett, which is described in the albums produced by the band as well as several videos and their autobiographical book Rise Of The Ogre. Damon Albarn is the only permanent musical contributor to the band, which is a collaboration between various musicians. Their style is broad, with a large number of alternative influences including rock, hip-hop and electronica.

-source


You can pay $1.29 for Stylo on iTunes or you can buy Stylo on AmazonMP3 for only $0.99 (assuming your country has access).

I did give the whole album a few listens, but Stylo was the only song that really fit me. That happens from time to time with a band/album. It's not that the other songs are bad, it's that my tastes and the band's only intersect on one song. That's why we're doing these Single Recommendations.

Links:
Official Site
MySpace
Lyrics for Stylo
Stylo Music Video on YouTube
Stylo Music Video on Vimeo
(PS: the video is SO FUCKING COOL!)